Raul Peck’s Oscar nominated documentary is a manifestation of the profound intellect of author and activist James Arthur Baldwin. “I Am Not Your Negro,” is possibly one of the most revelatory, insightful and prescient visual documents on civil rights and race that has ever been committed to screen.
The delight of “The Trip to Spain” is getting back with these two gents who seem to relish a relaxing holiday, badgering one another about their different stages of an extended mid-life existential crisis.
“Baby Driver” is not like any heist movie that you’ve ever seen before. Writer/director Edgar Wright’s meticulousness and mastery takes a keen eye on first viewing to get a hint at the level of fastidious planning that went into every aspect of the film.
“Churchill” is to its subject what the “The Green Berets” was to the Vietnam War. “Berets” attempted to make a World War Two heroic propaganda in the wrong war. “Churchill” wants to humanise the man and instead devolves into a blatantly misleading revisionist history.
Reeves and Bomback may be playing with actors in leotards, and the incredible CGI transformation; but the pleasure of the entire Apes series is that they’re about something. They’re ultimately about the frightening consequence of the human impulse to innovate and explore. They place a fragile humanity in a position that requires empathy and diplomacy, in the face of a threatening circumstance
Basking in the glow of Emmy-award winning series Amazon Prime Video has announced that it has signed a landmark international deal with 20th Century Fox Television Distribution, to bring This Is Us and the forthcoming television adaptation of The Exorcist, to PrimeVideo.com. This deal gives Amazon Prime Video the exclusive streaming rights for both series across more than 200 countries and territories around the world.
Warwick Thornton’s “Sweet Country” has won the Best Film in the Platform Competition at the Toronto International Film Festival. Fresh from taking out the Special Jury Prize at the Venice Film Festival, Thornton’s “spiritual epic” has gained yet another prestigious award on the the festival circuit.
Despite dozens of articles, an 80,000 + word thesis on authorship, masculinity and style in the work of Michael Mann, “Heat” has a richness that inspires me to undertake this epic minute by minute appreciation.
I cannot thank my best friend Maria enough for her time and commitment to making this podcast alongside me. Thank you to all those folks who attended the live shows.Thank you so much to guests and big supporters of the show; you know who you are.
It’s the movie of the moment Wright now (please lord forgive me for I know not what I pun). In the country to promote the Australian release of “Baby Driver” at a series of Q&A screenings, I had the privilege of having an interview 2:1 roundtable chat with Edgar Wright alongside The Reel Bits’ Richard (@dvdbits) Gray.
Earlier this week the ABC’s Head of TV drama Sally Riley was thrilled to announce that the Jay Swan detective series that began with Ivan Sen’s 2013 film “Mystery Road” was moving to the small screen in 2018 for “a landmark event.”
In the wake of Sydney Film Festival, where attendees binge of unreleased pedigree cinema from around the globe, I feel like I’m in the best position to assess some of the very best the year’s had to offer; and after seeing Johnny Depp and Michael Bay take a shit on the screens of my local multiplex, the very worst.
If you love movies and you live in the Sydney region who definitely know that for twelve days in June the Sydney Film Festival makes it O.K to abandon life as you know it. Twirling the baton as the ring leader of our cinematic offerings for Sydney Film Festival is director Nashen Moodley, South African born wünderkind programmer and all round great dude who is back for his sixth year curating a blooming and eclectic movie playlist.
Watching the latest Amazon Original Comedy Series “Patriot” from Steven Conrad (“The Secret Life of Walter Mitty”, “The Weather Man”), which is also produced by Glenn Ficarra and John Requa (“Crazy Stupid Love”, “Focus” and “Bad Santa”) I experienced not one but two ‘had me at’ moments.
In the eighth episode of the latest series of POD SAVE OUR SCREEN Blake Howard reviews “Dunkirk” and welcomes back Dark Horizons’ Garth Franklin to talk how Disney owns everything as demonstrated by D23 and what to look forward to this San Diego Comic Con.
In the seventh episode of the latest series of POD SAVE OUR SCREEN Blake reviews WHITNEY: ‘Can I Be Me.’ and chats with documentarians Nick Broomfield (director of Whitney: ‘Can I Be Me’) and Matthew Salleh (director of “Barbecue”).