As a general rule, if I think a movie is going to be balls awful I won't see it. Unlike the connoisseur of bad cinema Michael Adams - who endured watching bad movies every day for a year as documented in his book Showgirls, Teen Wolves and Astro Zombies - sitting through a crappy film is not something I actively seek out. Sure, sometimes I surprisingly enjoy it (the patritoic overload that was Olympus Has Fallen, case in point) but generally I don't have the time to waste on a movie that will make me storm out of a room screaming "SEXIST BULLSHIT!" (Spring Breakers). So. In overwrought summary, this list of films was discovered unintentionally. With the exception of The Mortal Instruments - whose badness was so famed I live tweeted the event - I entered them with the best intentions. What resulted was a painful, painful experience also known as the 10 worst movies of 2013.

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1. Spring Breakers

Like a cross between Showgirls and Drive, Spring Breakers doesn’t manage to reach its lofty aspirations. Instead of being a cringe-worthy commentary on Generation Now, it’s an artsy piece of exploitative bullshit that leaves no lasting message.

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2. The Canyons

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3. The Mortal Instruments: City Of Bones

When the closing credits on The Twilight Saga: Breaking Dawn Part Oh My God How Many Is This Now finally ran last November, we all breathed a deep sigh of relief. Alas , it wasn’t over. Then came the plethora of multi-million dollar blockbusters starring a cast of hot young thangs and based on a mediocre best-selling YA novel. Trying to cash in on the success of the previous franchise and the frenzy of Twihards, the films have been blanket terrible. So terrible, in fact, that Graffiti With Punctuation’s Maria Lewis went to The Mortal Instruments armed with her most powerful weapon: Twitter. The verdict? Here’s her stream of tweets – minute-by-minute - on the woeful Twi-wannabe.

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4. Pain & Gain

If Pain and Gain were a human being it would the kind that punctuated the end of a sentence with the word “BOOM!” and a fist bump. Does that make it any less insulting? Any less sexist? Any less fatist? Any less racist? No. It’s big, it’s dumb, and it’s everything you would expect from Michael Bay.

Saoirse Ronan ( Melanie / Wanda) en 'THE HOST (La huésped)', basada en la obra de Stephenie Meyer

5. The Host

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6. Grown Ups 2

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7. Maniac

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8. Kick Ass 2

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9. The Internship

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10. The Smurfs 2

Sydney, Australia. Getting her start as a police reporter, her writing on pop culture has appeared in publications such as the New York Post, Guardian, Penthouse, The Daily Mail, Empire Magazine, Gizmodo, Huffington Post, The Daily and Sunday Telegraph, i09, Junkee and many more. Previously seen as a presenter on SBS Viceland’s nightly news program The Feed and as the host of Cleverfan on ABC, she has been a journalist for over 15 years.

Her best-selling debut novel Who's Afraid? was published in 2016, followed by its sequel Who’s Afraid Too? in 2017, which was nominated for Best Horror Novel at the Aurealis Awards in 2018. Who’s Afraid? is being developed for television by the Emmy and BAFTA award-winning Hoodlum Entertainment. Her Young Adult debut, It Came From The Deep, was released globally on October 31, Halloween, 2017 and is a twist on The Little Mermaid meets Creature From The Black Lagoon.

Her fourth book, The Witch Who Courted Death, was released on Halloween, 2018 and nominated for Best Fantasy Novel at the Aurealis Awards in 2019. Her fifth novel set within the share supernatural universe is due for release in October, 2019.